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参照 Evolution, LP, Album, Mono, PMC 7022 Although your images do not show the spine the normal colour of this is pink, however you may like to know that there is a rare white spine version-original issue-same as pink version in all other respects. THE HOLLIES Evolution (Rare 1967 Japanese 12-track stereo LP pressed on 'Ever Clean' Wine Red Vinyl, and on the black & silver Odeon label manufactured by Toshiba Musical Industries, within a unique fully laminated flipback picture sleeve of a suitably psychedelic nature with a pinched spine, this edition has the album title on the front which was on the back in the UK release, also includes the advertising envelope style company inner and lyricinsert.
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| Wine Red Vinyl, and on the black & silver Odeon label manufactured by Toshiba Musical Industries, within a unique fully laminated flipback picture sleeve of a suitably psychedelic nature with a pinched spine, this edition has the album title on the front which was on the back in the UK release, also includes the advertising envelope style company inner and lyricinsert. The sleeve displays minimal wear or signs of age, the labels remains clean and have just a couple of spindle marks, whilst the vinyl has only a few light signs of play. A really nice example and the first we have ever had OP.8198) '> |
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The Hollies’ very considerable catalogue is constantly being reworked. For their 2010 tour, it’s a two-disc, 48-track collection of their hits – and more. The familiar titles are here with the exceptions of If I Needed Someone and After The Fox, and it’s a new recording for The Baby. Mike Batt’s Soldier’s Song should have been one of their biggest hits: it’s 10 times better than Jennifer Eccles, but maybe we can’t tell the bottom from the top.
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Album tracks here cover Rain On The Window (Evolution) and Dear Eloise (Butterfly). Rare material includes a moralising Schoolgirl and an excellent Will Birch & Billy Bremner ballad, Laughter Turns To Tears. There are tributes to The Miracles (Mickey’s Monkey), The Band (This Wheel’s On Fire) and Buddy Holly (Heartbeat). The package concludes with the title song from their recent album, Then, Now, Always, and a live version of one of the tracks, I Would Fly.
Their golden harmony (often taken superfast and superhigh in the 60s) was The Hollies’ Midas touch, but it’s odd that the collection should be named after a minor hit, King Midas In Reverse (here in a new stereo mix). This track has, however, aged much better than many psychedelic recordings.
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